Charlie Puth named Chief Music Officer of AI platform Moises – artthreat.net
Charlie Puth just accepted his biggest executive role yet. The Grammy-nominated producer has been named Chief Music Officer at Moises, a growing AI music platform. This newly created position marks a major shift: Puth will guide product development and creative strategy for a company trusted by 70 million musicians worldwide.
Puth is no stranger to AI collaboration. He partnered with YouTube back in 2023 to make his voice available for AI-generated soundtracks. But his role at Moises feels different: he’s been using the platform for years in his own studio work.
“Every musician I know is using Moises,” Puth stated in his announcement. This wasn’t a paid endorsement speaking. The producer has relied on the platform to isolate vocals, experiment with arrangements in real time, and test ideas that would have taken expensive studio setups before. That personal experience makes him a credible voice leading the company’s direction.
Puth‘s core message challenges skeptics everywhere: AI won’t replace musicians if done right. “AI, when done right, isn’t here to replace musicians,” he emphasized. “It’s here to help artists learn, explore, and bring their ideas to life.”
Moises CEO Geraldo Ramos echoes this philosophy. Unlike generative AI tools that create entire songs from text prompts, Moises offers stem separation, vocal isolation, and assisted composition. Musicians upload their own ideas and use 45 proprietary AI models to enhance, not replace, their work.
Moises stands apart because it doesn’t generate full songs. Ramos stated the company builds “building blocks of music.” A musician loads a guitar track, specifies they want a “funky, groovy” bass, and Moises generates a complementary bass line. But you can’t go from zero to a complete song with a single prompt. This approach attracted artists like Puth who see AI as a creative partner, not a replacement.
“It opens up possibilities that used to take hours or expensive studio setups, whether that’s isolating vocals to study technique or experimenting with arrangements in real time.”
— Charlie Puth, Newly Named Chief Music Officer
Puth immediately launched the Moises Jam Session contest. Fans and musicians can access stems from his new single “Beat Yourself Up” (dropping March 27 as the lead track from his album “Whatever’s Clever”) and create remixes or covers.
Winners receive up to $100,000 in cash and prizes, signed merchandise, and a backstage meet at Puth’s Madison Square Garden concert on May 29. This isn’t theoretical. Puth used Moises before his recent Super Bowl performance to practice tracks and experiment with keys for his upcoming album. The platform has already shaped his creative process.
The music industry is watching how artists like Puth navigate AI. Universal Music Group, Warner Music Group, and Sony Music Entertainment have all signed licensing deals with AI companies to compensate human artists. Moises already pays artists who license their voices for the platform’s AI voice models.
By bringing Puth into leadership, Moises sends a clear signal: ethical AI needs credible creatives guiding it. Grammy-nominated voices building tools that elevate rather than erase human artistry could set the standard for the entire industry moving forward.
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Alexander Woodward is an entertainment journalist and news reporter at Art Threat, specializing in breaking coverage of the American entertainment industry. His reporting spans celebrity news, music announcements, film and television developments, and the cultural moments capturing national attention. Alexander brings a commitment to accurate, timely reporting that helps readers stay ahead of the conversation. From award show coverage to exclusive industry updates, his work reflects a deep understanding of the trends and stories that resonate with today’s audiences. Based in the NYC, Alexander contributes daily news coverage to Art Threat’s entertainment section.
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